{"title":"Art Books","description":"","products":[{"product_id":"arcadia-and-metropolis","title":"SOLD OUT - Arcadia and Metropolis: Masterworks of German Expressionism from the National Galerie Berlin","description":"\u003cp\u003eEdited by Roland Marz\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith contributions by Peter-Klaus Schuster, Ronald Marz, Olaf Peters, Anke Daemgen, and Andrea Hollmann\u003c\/p\u003e\n\u003cp\u003eThis exhibition presented a selection of important paintings from the Nationalgalerie, Berlin, one of Germany's major collections of twentieth-century art. Major Expressionist and Neue Sachlichkeit artists represented include Max Beckmann, Otto Dix, George Grosz, Erich Heckel, Ernst Ludwig Kirchner, Emil Nolde, Max Pechstein, and Karl Schmidt-Rotluff.\u003c\/p\u003e\n\u003cp\u003eArranged thematically and with in-depth explanatory texts, the catalog traces the evolution of German art as it moved from the mountains to city life, from optimism to bitter disillusionment.  Essays by key scholars and curators examine these artists’ varied responses to their country’s abrupt encounter with industrialization and urbanization.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease note that this book is Out of Stock.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e\u003cspan\u003e164 pages\u003cbr\u003eNeue Galerie New York\u003cbr\u003ePrestel, 2004\u003cbr\u003e11.5 x 9.6 x 0.8 inches \u003cbr\u003eISBN 9783791330419\u003cbr\u003eNeue Galerie Exhibition Catalogue, Expressionism\u003c\/span\u003e\u003c\/p\u003e","brand":"Neue Galerie New York","offers":[{"title":"Default Title","offer_id":263500094,"sku":"9783791330419","price":49.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Arcadia-and-Metropolis-Masterworks-of-German-Expressionism-from-the-Nationalgalerie-Berlin_Roland-Marz_Peter-Klaus-Schuster_Ronald-Marz_Olaf-Peters_Anke-Daemgen_Andrea-Hollmann.jpg?v=1592840284"},{"product_id":"from-klimt-to-klee","title":"From Klimt to Klee: Masterworks from the Serge Sabarsky Collection","description":"\u003cp\u003eEdited by Renée Price\u003cbr\u003e\u003cbr\u003eWith this exhibition, Neue Galerie New York pays tribute to its cofounder, Serge Sabarsky. 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In no other country was Van Gogh so admired as he was in Germany: Ernst Ludwig Kirchner and other artists of Die Brücke were fascinated by Van Gogh's brushwork and strongly contrasting colors as well as by the dynamic aura of his glowing palette. Vasily Kandinsky and the artists of Der Blaue Reiter esteemed Van Gogh for rejecting visible reality and penetrating the essence of nature. Austrian artists Egon Schiele and Oskar Kokoschka, on the other hand, were especially impressed by the soulful expression of Van Gogh's art and his insightful psychological portraits.\u003c\/p\u003e\n\u003cp\u003eThis catalog examines the enormous influence of Van Gogh on German and Austrian Expressionism. It presents numerous masterpieces by Van Gogh and the Expressionists, including extremely powerful works by the painters of Die Brücke, Der Blaue Reiter, and the Viennese avant-garde.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease note that Rare\/Out-of-Print titles are very limited in stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e180 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeue Galerie New York\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHatje Cantz, 2007\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11.4 x 9.7 x 0.9 inches \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN 9783775719162\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNeue Galerie Exhibition Catalogue, Expressionism, Die Brücke, Blue Rider  \u003c\/span\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":263502336,"sku":"9783775719162","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Van-Gogh-and-Expressionism_NG-Cat-2022.jpg?v=1652630792"},{"product_id":"comic-grotesque-wit-and-mockery-in-german-art-1870-1940","title":"Comic Grotesque: Wit and Mockery in German Art, 1870-1940","description":"\u003cp\u003eEdited by Pamela Kort  \u003c\/p\u003e\n\u003cp\u003eFilled with irreverent wit, comical elements, and absurdist humor, the comic-grotesque has fascinated artists since ancient times. However, it was not until the late nineteenth century that it reemerged as a novel modernist method. This catalog begins with Arnold Böcklin's comic-grotesque pictorial compositions, and brings together a dazzling array of artists-including Paul Klee, Max Klinger, Alfred Kubin, Emil Nolde, and Max Ernst-who, inspired by his example, forged a unique aesthetic with enormous consequences for modern German art. Essays consider the connection between the visual arts and the rise of cabaret culture and satirical journals. 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It highlights masterpieces created by Josef Hoffmann, Koloman Moser, Carl Otto Czeschka, and Dagobert Peche, among others. Supplemental materials include design drawings, as well as historic photographs of prominent clients. There is a particular emphasis on fashion designer Emilie Flöge, confidante of Gustav Klimt, who assembled a large jewelry collection. The central essay by \u003cspan\u003eNeue Galerie Director of Curatorial and Manager of Publications, \u003c\/span\u003eJanis Staggs examines the founding of the Wiener Werkstätte, the development of its working program, the role of key designers and patrons, and the legacy of this unique form.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e118 pages\u003cbr\u003eNeue Galerie New York\u003cbr\u003e\u003cspan\u003eHatje Cantz\u003c\/span\u003e, 2008; Reprinted 2017\u003cbr\u003e11.5 x 9.25 x 0.75 inches\u003cbr\u003eISBN 9781931794190\u003cbr\u003eNeue Galerie Exhibition Catalogue, Jewelry\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":263502714,"sku":"9781931794190","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Wiener-Werkstatte-Jewelry_Janis-Staggs.jpg?v=1592514885"},{"product_id":"klee-and-america","title":"Klee and America","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eOriginal Price: $55.00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eUP TO 20% ADDITIONAL SAVINGS FOR MEMBERS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Josef Helfenstein and Elizabeth Hutton Turner\u003c\/p\u003e\n\u003cp\u003ePaul Klee was a leading figure in European Modernism, and his acclaim at home was quickly matched in the United States, where both private collectors and major museums sought out his work. 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This catalog aims to expand the understanding of Austrian arts and crafts at the turn of the twentieth century and to give Peche’s work—which ranges from interior and exhibition design to furniture, fashion and textile design, ceramics, glass, metalwork, jewelry, and wallpaper—its proper due in this rich context.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePlease note that this book is Out of Stock.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eHardcover\u003cbr\u003e512 pages | color and black-and-white illustrations\u003cbr\u003eNeue Galerie New York\u003cbr\u003eYale University Press, 2002\u003cbr\u003e9.5 x 1.8 x 11.2 inches\u003cbr\u003eISBN 9781931794077\u003cbr\u003eNeue Galerie Exhibition Catalogue, Design \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":263503558,"sku":"9781931794077","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Dagobert-Peche-and-the-Wiener-Werkstatte_Peter-Noever.jpg?v=1590785466"},{"product_id":"oskar-kokoschka-early-portraits-from-vienna-and-berlin-1909-1914","title":"Oskar Kokoschka: Early Portraits from Vienna and Berlin 1909-1914","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003eOriginal Price: $50.00\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff0000;\"\u003eUP TO 20% ADDITIONAL SAVINGS FOR MEMBERS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Tobias G. 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In fact, the beginnings of Sudek's work are in portraiture, in his images of fellow patients at the veteran's hospital where he spent three years after the First World War. (It was here that Sudek's right arm was amputated after a battlefield injury, a misfortune which did not prevent him from using heavy, large-format cameras in the future.) Decades later, after he had cofounded the Czech Photographic Society in 1924 and established his signature neo-Romantic preoccupation with architectural Prague, he returned to the genre. \u003cbr\u003e\u003cbr\u003eThroughout the 1940s and 50s, Sudek photographed close friends, among them the poet and Nobel Laureate Jaroslav Seifert, many painters and writers, but also scientists, doctors, politicians, architects, actors and other important public figures in Czechoslovakia. Portraits, the second volume of Sudek's collected photographs, gathers this body of work. In addition to a chronology of Sudek's life, it includes a complete bibliography and list of his exhibitions, as well as an interview with Jan Rezác, Sudek's colleague and an expert on his work.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e96 pages \u003cbr\u003e Torst, 2008\u003cbr\u003e\u003cspan\u003e9 x 0.6 x 11.3 inches\u003c\/span\u003e\u003cbr\u003e ISBN 9788072153190\u003cbr\u003eArtist Monograph, Photography, Portraits \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default","offer_id":263503956,"sku":"9788072153190","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Josef-Sudek-Portraits_Jan-Rezac.jpg?v=1591906987"},{"product_id":"portrait-of-adele-bloch-bauer","title":"Portrait of Adele Bloch-Bauer","description":"\u003cp\u003eBy Sophie Lillie and Georg Gaugusch\u003c\/p\u003e\n\u003cp\u003eFew paintings have captured the public's imagination as thoroughly as Gustav Klimt's 1907 Adele Bloch-Bauer I. Klimt's painting of Adele not only rendered her irresistible beauty and sensuality; its intricate ornamentation and exotic motifs heralded the dawn of modernity and a culture intent on radically forging a new identity. But as synonymous as her likeness has become with Vienna’s Golden Age, the real Adele Bloch-Bauer remained somewhat shielded from the public eye. 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Above and beyond Anger's book's value as a revisionist history of Klee or a detailed history of the decorative's rise and decline in the early twentieth century is tis presentation of a long-overdue study that confronts the issue of hierarchy in the arts under modernism and its consequences.\"―Elissa Auther, \u003cem\u003eCAA Reviews\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOne of the goals of Modernism was the presentation of the essence of art, or pure form. Encouraged by theorists, modern artists found pure form in ornament which, though promising, was sullied by connotations of materiality, domesticity, and femininity. Jenny Anger demonstrates that the decorative significantly informed Paul Klee's art. She compares his work to that of another major modernist, Henri Matisse, to confirm the critical role of the decorative in Modernism. 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Today, things are very different: photographers like Josef Sudek, Frantisek Drtikol, Jaromír Funke, Josef Koudelka, Jan Saudek and Antonín Kratochvíl enjoy international acclaim, and as Czechoslovakia emerged from over half-century of totalitarian rule, the rest of the world was astounded to discover that such a small nation could boast so many talented and original photographers. Nonetheless, entire chapters of the history of Czech photography remain largely neglected. Czech Photography of the 20th Century is the first volume to survey the main trends, figures and masterpieces of Czech photography from the beginning to the end of the last century. 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The first work, In the \u003cem\u003ePlay of Summer Breezes\u003c\/em\u003e, was the last of his plays to be published and performed during his lifetime. The remaining two works \u003cem\u003eThe Word\u003c\/em\u003e and\u003cem\u003e Procession of Shades\u003c\/em\u003e troubled Schnitzler, and even though he worked on them for over twenty years, he remained unsatisfied and would not approve their publication. These posthumous plays provide variations on a number of his favorite subjects and fit into the thematic progression of his work.\u003cbr\u003e\u003cbr\u003eThese plays are important works, because they add further thematic dimensions to his artistic range and thus enrich our understanding of Schnitzler as a man and writer.\u003cbr\u003e    \u003cbr\u003ePaperback\u003cbr\u003e289 pages\u003cbr\u003eAriadne Press, 1996\u003cbr\u003e5.5 x 0.8 x 8.8 inches\u003cbr\u003eISBN 9781572410299\u003cbr\u003ePlays\u003cbr\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":348509233,"sku":"9781572410299","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/The-Final-Plays_Arthur-Schnitzler.jpg?v=1593197666"},{"product_id":"vasily-kandinsky-from-blauer-reiter-to-the-bauhaus-1910-1925","title":"Vasily Kandinsky: From Blaue Reiter to the Bauhaus, 1910-1925 Exhibition Catalogue","description":"\u003cdiv class=\"book-short-text\"\u003e\n\u003cp\u003eEdited by Neue Galerie New York\u003cbr\u003eTexts by Vivian Endicott Barnett, Shulamith Behr, Christian Derouet, Reinhold Heller, Jill Lloyd, Peter Vergo, Rose-Carol Washton Long\u003cbr\u003e\u003cbr\u003eThe evolution of the Gesamtkunstwerk in the artist’s work from the Blaue Reiter to the Bauhaus years\u003cbr\u003e\u003cbr\u003eAlongside his development of a revolutionary abstract style, Vasily Kandinsky (1866–1944) demonstrated an ambition to go beyond conventional easel painting. 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Certainly Phaidon's 20th Century Composers series [...] is an ideal format...Bojan Bujic [...] has performed his task with skill and sympathy. It is refreshing to see Schoenberg treated as a passionate human being...Bujic's explication of the serial method and its imaginative origins is sensible and concise...He is also ingenious in using his pictorial material to illuminate musical issues...Overall an extremely useful introduction.\"—\u003cem\u003eBBC Music\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\"The major (and rare) achievement of the book is its slow but sure description of Schoenberg's move through post-romantic tonality, atonality and serialism. The explanation of musical language is always tricky […] but Bujic remains clear and honest without baffling...particularly deft is his invitation to listen to Schoenberg in a different way…Bujic's biography, like its subject, dazzles and delights.\"—\u003cem\u003eClassical Music\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArnold Schoenberg (1874–1951) was arguably the central musical personality of the 20th century, whose innovative, uncompromising musical language opened up new possibilities for composers and influenced generations of musicians and listeners. A major force in the development of modern music, Schoenberg is famous for abandoning tonality and introducing the 12-tone 'serial' method of composition. In addition to his groundbreaking work as a composer, Schoenberg was an important theorist and an enormously influential teacher, with Anton Webern and Alban Berg among his most famous pupils. \u003cbr\u003e\u003cbr\u003eThis book presents a clear narrative history of Schoenberg’s life, work and cultural context along with essential reference material and striking illustrations, making it a vital purchase for anyone interested in the composer. Brought up in the rich and cosmopolitan cultural life of Vienna, Schoenberg started to play the violin at the age of nine and began experimenting with composition almost immediately, but had no formal training in music until his late teens. Schoenberg first composed in the late Romantic tradition, and his earliest acknowledged works, including the string sextet 'Verklärte Nacht', date from the turn of the century. 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Handled with deft scholarship, they add up to a balanced yet deeply moving account of how figures of exile experienced and transformed American culture.\"—\u003cem\u003eWalter Frisch, author of The Early Works of Arnold Schoenberg\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe forced migration of artists and scholars from Nazi Germany is a compelling and often wrenching story. The story is twofold, of impoverishment for the countries the musicians left behind and enrichment for the United States. The latter is the focus of this eminent collection, which approaches the subject from diverse perspectives, including documentary-style newspaper accounts and an exploration of Walt Whitman's poetry in the work of Paul Hindemith and Kurt Weill.\u003cbr\u003e\u003cbr\u003eThe flood of musical migration from Germany and Austria from 1933 to 1944 had a lasting impact. Hundreds of musicians and musicologists came to the United States and remained here, and the shaping power of their talents is incalculable. Several essays provide firsthand insights into aspects of American cultural history to which these émigrés made essential contributions as conductors, professors, and composers; other essays tell of the traumatic experience of being exiled and the difficulties of finding one's way in a foreign country. While the migration infused the U.S. with a distinctly European musical awareness, at the same time the status and authority of its participants tended to intervene in the development of a genuinely American cultural voice. 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As the Aussies say, you couldn’t read about it. But, here in the pages of Cosima Wagner, you certainly can. And the story is enriched by the author’s access to available documentation at Bayreuth.…This [is] illuminating work”—Robert Giddings, \u003cem\u003eTribune\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSelected as a Choice Outstanding Academic Title for 2010 in the Music category. In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity. 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Natter\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDie Neue Galerie New York und die Hamburger Kunsthalle widmen den frühen Bildnissen von Oskar Kokoschka eine erste große Gesamtschau und konzentrieren sich damit auf das zentrale Werksegment der Jahre 1909 bis 1914, mit dem der Maler seinen Ruhm begründete und zur Leitfigur des Expressionismus wurde.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eDas Katalogbuch zur Ausstellung, herausgegeben von Tobias Natter, verbindet die Wiedergabe der frühen Bildnisse mit einfühlsamen Werkinterpretationen und Hinweisen auf die porträtierten Personen, unter denen sich zum weitaus überwiegenden Teil Freunde, Förderer und Gleichgesinnte des Malers befinden. Die Essays zeichnen ein plastisches Zeitkolorit der Metropolen Wien und Berlin unter den Vorzeichen eines tiefgreifenden Umbruchs.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eIn Wien von dem Architekten \u003c\/span\u003e\u003cspan\u003eAdolf Loos und später in Berlin von dem Herausgeber der Zeitschrift \"Der Sturm\", Herwald Walden, ermutigt und tatkräftig unterstützt, konnte sich Kokoschka von den malerischen Konventionen der Porträtaufträge befreien und seine eigenen expressiven Bildmittel einsetzen.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan\u003eNachdenklichkeit, eindringliche Gestik der Hände und psychische Spannungen verdrängen alle posenhafte Eleganz gesellschaftlicher Repräsentation. Rascher Farbauftrag und nervöse Ritzungen greifen den Porträtierten unter die Oberfläche ihrer Haut, um ihre Physiognomien für den Blick auf innere Vorgänge durchlässig zu machen. In Kokoschkas frühen Bildnissen spiegelt sich daher nicht nur die Seele der Personen, sie sind auch Reflexe auf die abgrundtiefe Krise dieser Zeit vor dem ersten Weltkrieg.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ePlease note that Rare\/Out-of-Print titles are very limited in stock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlso available in \u003ca href=\"https:\/\/shop.neuegalerie.org\/products\/oskar-kokoschka-early-portraits-from-vienna-and-berlin-1909-1914?_pos=11\u0026amp;_sid=d25fdb26e\u0026amp;_ss=r\"\u003eEnglish\u003c\/a\u003e.\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eHardcover\u003cbr\u003e256 pages\u003cbr\u003eText in German\u003cbr\u003eDuMont Verlag, 2002\u003cbr\u003e9.2 x 11.2 inches\u003cbr\u003eISBN 9781931794053\u003cbr\u003eNeue Galerie Exhibition Catalogue, Expressionism, Portraiture\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":808071217,"sku":"9781931794053","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Oskar-Kokoschka-Das-Moderne-Bildnis-1909-bis-1914_Tobias-G.-Natter_German-Edition.jpg?v=1592426440"},{"product_id":"generation-dada-the-berlin-avant-garde-and-the-first-world-war","title":"Generation Dada: The Berlin Avant-Garde and the First World War","description":"\u003cp\u003eBy Michael White\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"With \u003cem\u003eGeneration Dada,\u003c\/em\u003e White has presented readers with a powerful new portrait of an avant-garde that flourished in one of the most fraught cities of the early twentieth century.\" —Catherine Craft, \u003cem\u003eBurlington Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e“In a well researched, detailed examination of the Berlin avant-garde in the context of WWI, White . . . offers a fresh analysis of the key events and personal relationships that helped form the artistic practices of some of the central figures of the German Dada movement. In an informative but refreshingly accessible style, the author manages to pay close attention to the intricacies of cultural and historical context as well as the formal elements of the works themselves . . . demonstrating a keen eye for the relationship between content and form.” —\u003cem\u003eChoice\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor the Berlin Dadaists, their identity as a collective—Club Dada, to members—was an integral part of their artistic practice. But the circumstances that brought together the likes of George Grosz, John Heartfield, Raoul Hausmann, and Johannes Baader—renamed Propaganda Marshall, Monteurdada, Dadasoph, and Oberdada within the organization—have remained largely unexamined until now. Drawing on extensive archival research, this book documents the group'ss beginnings in wartime Berlin and reveals how these relationships influenced its provocative acts, which were inextricably tied to the era's chaos and brutality.\u003c\/p\u003e\n\u003cp\u003eStudying how the Dadaists saw themselves as a new generation—in contrast to their pacifist forebears, the Expressionists—the book sheds light on key developments and events, such as the First International Dada Fair, held in Berlin in 1920. It also offers the first serious consideration of the group's role in constructing its own legacy, even as the works were deliberately rooted in the ephemeral.\u003cbr\u003e\u003cbr\u003eMichael White is reader in the history of art at the University of York and is best known internationally for his research on the early-20th-century De Stijl group in the Netherlands. \u003cbr\u003e\u003cbr\u003eHardcover\u003cbr\u003e382 pages | 20 color and 130 black-and-white illustrations\u003cbr\u003eYale University Press, 2013\u003cbr\u003e\u003cspan\u003e7.8 x 1.2 x 10 inches\u003c\/span\u003e\u003cbr\u003eISBN 9780300169034\u003cbr\u003eArt History, Dada, German History \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":861787897,"sku":"9780300169034","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Generation-Dada-The-Berlin-Avant-Garde-and-the-First-World-War_Michael-White.jpg?v=1591381064"},{"product_id":"dadas-on-art-tzara-arp-duchamp-and-others","title":"Dadas on Art; Tzara, Arp, Duchamp and Others","description":"\u003cp\u003eBy Lucy R. Lippard\u003c\/p\u003e\n\u003cp\u003eA protest against the brutality of World War I and a rejection of traditional culture and aesthetics, the Dada movement proclaimed itself as anti-art. In the visual arts, literature, and graphic design, the Dadas shocked and scandalized audiences of the early 1900s with their expressions of disillusionment with politics and society. This select anthology reconstructs the movement's anarchic history and its harsh, vivid spirit by presenting the prose, poetry, and polemic of the artists themselves and their poet friends. \u003cbr\u003e\u003cbr\u003eFocusing chiefly on visual artists, this collection ranges from Tristan Tzara's manifesto and Jean Arp's declaration of Dada principles to statements by Man Ray and Jean Cocteau. It features interviews with Hannah Höch and Marcel Duchamp, in addition to articles by Max Ernst, Richard Hülsenbeck, Marcel Janco, Hans Richter, George Grosz, and other prominent figures. Editor Lucy R. Lippard—a well-known feminist art critic, author, and theorist—provides brief biographies for each contributor. These absorbing and provocative insights into Dada philosophy illustrate the movement's enduring vitality and its continuing power to affect modern art.\u003c\/p\u003e\n\u003cp\u003ePaperback\u003cbr\u003e192 pages\u003cbr\u003eDover Publications, reprint edition 2007\u003cbr\u003eOriginal publish date 1971\u003cbr\u003e5.4 x 0.4 x 8.4 inches\u003cbr\u003eISBN 9780486456997\u003cbr\u003eDada, Art Theory\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":861935101,"sku":"9780486456997","price":10.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/dadas-on-art_Scanned-2022.jpg?v=1654358543"},{"product_id":"egon-schiele-portraits","title":"Egon Schiele Portraits Exhibition Catalogue","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eOriginal Price: $65.00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eUP TO 20% ADDITIONAL SAVINGS FOR MEMBERS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Alessandra Comini\u003cbr\u003e\u003cbr\u003eThis book accompanies a major exhibition devoted to portraits created by Austrian artist Egon Schiele, whose figurative work exhibits intense emotion and technical brilliance.\u003cbr\u003e\u003cbr\u003eEgon Schiele (1890-1918) was one of the greatest artists of the twentieth century. A superb draftsman and colorist, he produced images of startling emotional power. Following the lead of his mentor, Gustav Klimt, Schiele created figurative works of uncanny intimacy and brought a new openness to the art of his time. Schiele’s premature death at the age of 28 has added a mythic quality to his artistic achievements.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEgon Schiele: Portraits\u003c\/em\u003e focuses on five groupings of the artist's work: family and academy, fellow artists, sitters and patrons, lovers, and allegory. In addition, it features a special section on a traumatic and pivotal period in Schiele's life: his arrest and imprisonment during the summer of 1912. Documenting the artist's changing style, both pre- and post-imprisonment, the book features many key works that have been assembled for this exhibition from both American and European museums and private collections.\u003cbr\u003e\u003cbr\u003eHardcover\u003cbr\u003e296 pages | \u003cspan\u003e227 color; 72 black-and-white-illustrations\u003cbr\u003e\u003c\/span\u003eNeue Galerie New York\u003cbr\u003ePrestel, 2014\u003cbr\u003e\u003cspan\u003e9.3 x 11.2 \u003c\/span\u003e\u003cspan\u003ei\u003c\/span\u003e\u003cspan\u003enches\u003c\/span\u003e\u003cbr\u003eISBN 9783791354194\u003cbr\u003eNeue Galerie Exhibition Catalogue, Painting, Drawings, Portraits \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":972635844,"sku":"9783791354194","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Egon-Schiele-Portraits_Alessandra-Comini_Neue-Galerie.jpg?v=1591993010"},{"product_id":"100-drawings-by-gustav-klimt","title":"Gustav Klimt: One Hundred Drawings","description":"\u003cp\u003eBy Alfred Werner and Gustav Klimt\u003cbr\u003e\u003cbr\u003eGustav Glück, director of Vienna's Kunsthistorisches Museum, wrote as early as 1922 of Gustav Klimt (1862–1918) that his drawings were perhaps his ultimate artistic achievement. This founder of Secessionsstil and leader of the revolt against the Viennese academies was able to achieve greater freedom in his drawings than in his more laboriously executed paintings. While there are only about two hundred completed oils, the drawings number in the thousands, and are reported to have at times quite littered his studio. He himself considered them finished works, and often exhibited them alongside his paintings.\u003cbr\u003e\u003cbr\u003eKlimt's subject matter is almost exclusively the female body, naked or half clothed. For this he earned the reputation of erotic artist, and while he did not suffer the outright persecutions of his successors Schiele and Kokoschka, he was nevertheless subjected to the trials that a frankly erotic artist had to undergo in Vienna, where the everyday subject of conversation was the current love affairs of celebrities but where audiences were shocked by the sight of a dancer's naked legs. An issue of Ver Sacrum which reproduced one of his drawings was confiscated by the authorities. \u003cbr\u003e\u003cbr\u003eThe drawings reveal above all that concern of great draughtsmen from Michelangelo through Blake the marriage of subtle grace and expressive dynamism that is the human body. Like that of these two past masters, Klimt's method is essentially linear. He knew, as they did, that line, rather than shading, the creation of volume or the use of color, is the natural medium for expressing the freedom of the living human form. 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Lauder, foreword by Renée Price,\u003cbr\u003eand essays by Konstantin Akinsha, Vivian Endicott Barnett, Natalia Murray, Irina Romanova, Jane Sharp, and Aleksandra Shatskikh\u003c\/p\u003e\n\u003cp\u003eThis book explores the direct connections and collaborations of German and Russian artists and the affinities between both countries’ artistic development. Russian Modernism maps the Russian version of expressionism and puts it in the context of the history of 20th century art.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRussian Modernism is dedicated to the radical modernist movements in Russian and German art during the early years of the 20th century. Their development was parallel and often intertwined. Artists such as Vasily Kandinsky or Alexej von Jawlensky are claimed by the Germans but remain Russian artists for the Russians. The Burluk brothers, who became celebrities of the Russian radical art scene, participated in the first exhibition of the Blauer Reiter. Russian artists travelled to Germany and lived there, while their German counterparts were aware of what was shown in Moscow exhibition halls. The diverse art movement “expressionism” was formed in Germany at the beginning of the 1910s and was given the name by the critic Herwarth Walden. Members of groups such as Die Brücke and the Blauer Reiter were initially influenced by the French Fauves movement, and their Russian contemporaries also tried to find new artistic truth in Paris, ‘la Ville Lumière’. However, both in Germany and Russia the new French influence underwent radical transformation. 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He photographed movie stars and captains of industry, workers and peasants, and captured the birth of the Autobahn and UFA film studios in its heyday. He saw the rise of fascism, the creation of vast new suburbs, and the displacement of people from their traditional ways of life. With unprecedented access to the country’s world-famous factories and industrial installations, he witnessed Germany as few others could—barreling headlong into the unknown.\u003c\/p\u003e\n\u003cp\u003eMoving, insightful, and deeply revealing, the full significance of Hoppé’s German work has been unknown until now. This volume combines photographs published in Hoppé’s legendary book of 1930, \u003cem\u003eDeutsche Arbeit\u003c\/em\u003e, with many new pictures never previously seen. From factory floor to the commuters of Berlin and Munich, Hoppé’s photographs reveal the profound social and economic tensions that preceded the Second World War.\u003c\/p\u003e\n\u003cp\u003eThis publication uncovers Hoppé as a pivotal figure in the history of twentieth-century photography, who introduced for the first time elements of typology, seriality and sequence, which have become key elements of contemporary photographic practice. 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Miriam Hansen's brilliant introduction chronicles the work's genesis and transformation through Kracauer's conversations with Adorno and Benjamin, his flight from the Nazis, and his uneasy assimilation into the Cold-War United States.\"—Tom Gunning, University of Chicago\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\"Just as new translations of Kracauer's early works have begun to reveal aspects of his intellectual project previously unavailable to readers of English, this most welcome new edition of Kracauer's magnum opus of media aesthetics will cast a new interpretative light on his later work, thanks especially to Miriam Hansen's highly illuminating introductory essay.\"—Thomas Y. Levin, Princeton University\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSiegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. 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