{"title":"Film, Theater and Music","description":"","products":[{"product_id":"the-seven-addictions-and-five-professions-of-anita-berber-weimar-berlins-priestess-of-depravity","title":"The Seven Addictions and Five Professions of Anita Berber: Weimar Berlin's Priestess of Depravity","description":"\u003cp\u003eBy Mel Gordon\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Seven Addictions and Five Professions of Anita Berber\u003c\/em\u003e is the first contemporary biography of a notorious actor\/dancer\/poet\/playwright who scandalized sex-obsessed Weimar Berlin during the 1920s.\u003c\/p\u003e\n\u003cp\u003eIn an era where everything was permitted, Anita Berber‘s celebrations of “Depravity, Horror and Ecstasy” were condemned and censored. She often haunted Weimar Berlin’s hotel lobbies, nightclubs and casinos, radiantly naked except for an elegant sable wrap, a pet monkey hanging from her neck, and a silver brooch packed with cocaine. 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[is] an excellent overview of the critical frameworks of German film studies... Essential.\"—\u003cem\u003eChoice\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"A well-constructed and welcome introduction to a number of classics.\"—Philipp Stiasny, \u003cem\u003eGerman History\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\"With its detailed filmography and intelligently organized index, this work could easily serve as the primary textbook for a survey of Weimar film.\"—Glenn R. Cuomo, \u003cem\u003eGerman Studies Review\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTaken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigues and love stories, the classics of silent cinema and Germany's first talkies, each chapter illuminates, among other things: the technological advancements of a given film, its detailed production history, its critical reception over time, and the place it occupies within the larger history of the German studio and of Weimar cinema in general. Readers can revisit the careers of such acclaimed directors as F. W. Murnau, Fritz Lang, and G. W. Pabst and examine the debuts of such international stars as Greta Garbo, Louise Brooks, and Marlene Dietrich. 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Certainly Phaidon's 20th Century Composers series [...] is an ideal format...Bojan Bujic [...] has performed his task with skill and sympathy. It is refreshing to see Schoenberg treated as a passionate human being...Bujic's explication of the serial method and its imaginative origins is sensible and concise...He is also ingenious in using his pictorial material to illuminate musical issues...Overall an extremely useful introduction.\"—\u003cem\u003eBBC Music\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\"The major (and rare) achievement of the book is its slow but sure description of Schoenberg's move through post-romantic tonality, atonality and serialism. The explanation of musical language is always tricky […] but Bujic remains clear and honest without baffling...particularly deft is his invitation to listen to Schoenberg in a different way…Bujic's biography, like its subject, dazzles and delights.\"—\u003cem\u003eClassical Music\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eArnold Schoenberg (1874–1951) was arguably the central musical personality of the 20th century, whose innovative, uncompromising musical language opened up new possibilities for composers and influenced generations of musicians and listeners. A major force in the development of modern music, Schoenberg is famous for abandoning tonality and introducing the 12-tone 'serial' method of composition. 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In a culture where lies about adolescence prevail, this funny and honest play is more relevant than ever. \u003cem\u003eSpring Awakening\u003c\/em\u003e is essential reading.”—Christopher Shinn\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFirst performed in Germany in 1906, Frank Wedekind's controversial play \u003cem\u003eSpring Awakening\u003c\/em\u003e closed after one night in New York in 1917 amid charges of obscenity and public outrage. For the better part of the twentieth century Wedekind's intense body of work was largely unpublished and rarely performed. Yet the play's subject matter—teenage desire, suicide, abortion, and homosexuality—is as explosive and important today as it was a century ago. \u003cem\u003eSpring Awakening\u003c\/em\u003e follows the lives of three teenagers, Melchior, Moritz, and Wendl, as they navigate their entry into sexual awareness. Unlike so many works that claim to tell the truth of adolescence, \u003cem\u003eSpring Awakening\u003c\/em\u003e offers no easy answers or redemption.\u003cbr\u003e\u003cbr\u003eToday, one hundred years after the play's first performance, a new musical version of this essential modern masterpiece is being hailed as the \"best new musical . . . in a generation\" (John Heilpern, \u003cem\u003eThe New York Observer\u003c\/em\u003e). Franzen's version of the text—for so long poorly served in English—is unique in capturing the bizarre and inimitable comic spirit that animates almost every line of this unrelentingly tragic play. There couldn't be a better time for this thrilling, definitive new translation.\u003c\/p\u003e\n\u003cp\u003ePaperback\u003cbr\u003e112 pages\u003cbr\u003eFarrar, Straus and Giroux, 2007\u003cbr\u003e\u003cspan\u003eOriginally published in 1891\u003c\/span\u003e\u003cbr\u003e5.5 x 0.3 x 8.3 inches\u003cbr\u003eISBN 9780865479784\u003cbr\u003ePlay\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":16226168963144,"sku":"9780865479784","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Spring-Awakening_Frank-Wedekind_Jonathan-Franzen.jpg?v=1591289034"},{"product_id":"arnold-schoenberg-1","title":"Arnold Schoenberg","description":"\u003cp\u003e\u003cspan\u003eBy Mark Berry \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\"Berry’s perspective on the controversy (still) surrounding the composer is clear-eyed, empathetic, and pleasingly free of polemics of its own...Berry's survey of the individual works is comprehensive and exemplary.\"—\u003cem\u003eBBC Music Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\"A superb piece of writing: informative, engaging and compact. It wears its considerable research with a winning lightness of touch. The best introduction to the composer.\"—Thomas Hyde, composer and Lecturer in Music at Worcester College, Oxford\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\"Arnold Schoenberg lived a “critical life” by any standards, and his entry here into the Critical Lives series of compact volumes devoted to leading cultural figures of the modern period is very welcome. No composer has ever earned quite such a bogeyman reputation, one still widely held if concert and opera programming is any evidence, yet for those of us who actively crave the sound of his music there is also the fascination of the figure himself—and a deeply human side of the composer, to which those who knew him still testify.\"—\u003cem\u003eOpera\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. Born in the Jewish quarter of his beloved Vienna, Schoenberg’s early career took him to Berlin, as a leading light of Weimar culture, before he fled in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism, and it changed the history of music forever.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s life and work within the wider context of nineteenth and twentieth-century history. He also introduces all of Schoenberg’s major musical works, from his very first compositions such as \u003c\/span\u003e\u003ci\u003eString Quartet in D Major\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eto his invention of the 12-tone method. This book is essential reading for all those with an interest in the music and history of the twentieth century.\u003cbr\u003e\u003cbr\u003ePaperback\u003cbr\u003e240 pages\u003cbr\u003eReaktion Books, 2019\u003cbr\u003e5 x 0.6 x 7.8 inches\u003cbr\u003eISBN 9781789140873\u003cbr\u003eMusic, Biography \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":29686279405640,"sku":"9781789140873","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Arnold-Schoenberg_Mark-Berry.jpg?v=1619453036"},{"product_id":"voluptuous-panic-the-erotic-world-of-weimar-berlin","title":"Voluptuous Panic: The Erotic World of Weimar Berlin","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBy Mel Gordon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen \u003c\/span\u003e\u003cem\u003eVoluptuous Panic: The Erotic World of Weimar Berlin\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e first appeared in the fall of 2000, it inspired wide acclaim and multiple printings.\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis sourcebook of hundreds of rare visual delights from the pre-Nazi, Cabaret-period “Babylon on the Spree” has the distinction of being praised both by scholars and avatars of contemporary culture, inspiring performers, filmmakers, historians straight and gay, designers, and musicians like the Dresden Dolls and Marilyn Manson. It is the visual scrapbook and inspired design source of hit television series, \u003cem\u003eBabylon Berlin\u003c\/em\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVoluptuous Panic’s\u003c\/em\u003e expanded edition includes the new illustrated chapter “Sex Magic and the Occult,” documenting German pagan cults and their bizarre erotic rituals, including instructions for entering into the “Sexual Fourth Dimension.” This edition also includes sensational accounts of hypno-erotic cabaret acts, Berlin fetish prostitution (“The Boot Girl Visit”), gay life (“A Wild-Boy Initiation!”), descriptions and illustrations of Aleister Crowley’s Berlin OTO secret society, and sex crime (“The Curious Career and Untimely Death of Fritz Ulbrich”).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaperback\u003cbr\u003e300 pages\u003cbr\u003eFeral House, 2008\u003cbr\u003e8 x 0.8 x 11 inches\u003cbr\u003eISBN 9780922915965\u003cbr\u003eGerman History\u003c\/span\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":40682652434600,"sku":"9780922915965","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Voluptuous-Panic-The-Erotic-World-of-Weimar-Berlin_Mel-Gordon.jpg?v=1635018087"},{"product_id":"tales-from-the-vienna-woods-other-plays","title":"Tales From the Vienna Woods \u0026 Other Plays","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eOriginal Price: $25.50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"color: #ff2a00;\"\u003eUP TO 20% ADDITIONAL SAVINGS FOR MEMBERS\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBy Ödön von Horváth\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eÖdön von Horváth\u003c\/span\u003e (1901-1939) is one of the most important theatre writers in the 1930s. His reputation rests largely on the four plays in this collection, which he called Volksstucke (popular plays), although he had no desire to embrace this tradition uncritically. Reflected in these plays is the sympathy for the situation of the exploited classes, as well as the concern for the way language is used for deception and self-deception. The hollow characters come across as potentially receptive to fascism. A latent brutality is unmasked, a lack of genuine feeling—all lying hidden under a veneer of facile sentimentality.\u003c\/p\u003e\n\u003cp\u003ePaperback\u003cbr\u003e243 pages\u003cbr\u003eAriadne Press, 2002\u003cbr\u003e5.75 x 0.75 x 8.75 inches\u003cbr\u003eISBN 9781572411081\u003cbr\u003eLiterature, Theatre\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":41609552756904,"sku":"9781572411081","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Tales_From_the_Vienna_Woods_and_Other_Plays_Odon-Von-Horvath.jpg?v=1639933154"},{"product_id":"leopoldstadt","title":"Leopoldstadt","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eBy Tom Stoppard \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt the beginning of the twentieth century, Leopoldstadt was the old, crowded Jewish quarter of Vienna, a city humming with artistic and intellectual excitement. Stoppard’s epic yet intimate drama centers on Hermann Merz, a manufacturer and baptized Jew married to Catholic Gretl, whose extended family convene at their fashionable apartment on Christmas Day in 1899. Yet by the time the play closes, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany, and the Holocaust, which stole the lives of 65,000 Austrian Jews alone. From one of today’s most acclaimed playwrights, \u003c\/span\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"a-text-italic\"\u003eLeopoldstadt\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a human and heartbreaking drama of literary brilliance, historical verisimilitude, and powerful emotion.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003ePaperback\u003cbr\u003e101 pages\u003cbr\u003eGrove Press, 2020\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e5.5 x 0.5 x 8.25 inches\u003c\/span\u003e\u003cbr\u003eISBN 9780802157713     \u003cbr\u003ePlay, Austrian History\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":42787862216872,"sku":"9780802157713","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Leopoldstadt.jpg?v=1664740785"},{"product_id":"recollecting-lotte-eisner-cinema-exile-and-the-archive","title":"Recollecting Lotte Eisner: Cinema, Exile, and the Archive","description":"\u003cp\u003eBy Naomi DeCelles\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\"A crucial intervention into at least three fields: Weimar cinema studies, feminist and queer theory, and film history. Naomi DeCelles carefully and critically explores Lotte Eisner's best and least known work, situating it in history and reclaiming it for our own time.\"\u003cem\u003e—Patrice Petro, editor of \u003cspan class=\"a-text-italic\"\u003eIdols of Modernity: Movie Stars of the 1920s\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\"With both its balanced approach to relevant biographical details and its masterly critical analysis of Lotte Eisner’s writings, this is an excellent, comprehensive, and original study of her contributions to film history and film criticism.\"\u003cem\u003e—Mila Ganeva, author of \u003cspan class=\"a-text-italic\"\u003eFilm and Fashion amidst the Ruins of Berlin: From Nazism to the Cold War\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e\u003cbr\u003eRecollecting Lotte Eisner\u003c\/em\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eprovides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (1896–1983). From her early years as a film critic in interwar Berlin to her escape from prison in occupied France and from her role as chief curator at the Cinémathèque française to that as the mythic \"collective conscience\" of New German Cinema, Eisner was a prolific writer and lecturer and a pivotal voice in early film and media studies. Situated at the juncture of feminist media historiography and disciplinary intellectual history, this groundbreaking book is based on extensive multilingual archival research and the excavation of a rich corpus of previously overlooked materials. 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The Gesamtkunstwerk—the total artwork—became the ideal for artists. Expressionism in Art and Film traces this crossing of genre boundaries, outlining mutual influences between painting, graphics and film. Exaggerated figures, strong contrast and distorted perspective pervaded all three mediums, reflecting the tremendous angst of the early 20th century’s social upheavals. Social critique also figured centrally in the movement, in caricatured depictions of modern men and women. This volume highlights these elements of Expressionism, drawing parallels between art and film. Artists Erich Heckel, Emil Nolde, Paula Modersohn-Becker, Alexander Kanoldt, Ernst Ludwig Kirchner and Otto Mueller figure here, as well as directors Robert Wiene, F.W. Murnau and Ernst Lubitsch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e240 pages | 130 color images\u003cbr\u003eText in English and German\u003cbr data-mce-fragment=\"1\"\u003eSilvana Editoriale, 2022\u003cbr data-mce-fragment=\"1\"\u003e9.5 x 1 x 11 inches\u003cbr data-mce-fragment=\"1\"\u003eISBN 9788836650361\u003cbr data-mce-fragment=\"1\"\u003eExpressionism, Art and Film\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":44889446482088,"sku":"9788836650361","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/files\/Expressionism-in-Art-and-Film.jpg?v=1694025461"},{"product_id":"the-origin-of-german-tragic-drama","title":"The Origin of German Tragic Drama","description":"By Walter Benjamin\u003cbr data-mce-fragment=\"1\"\u003eIntroduction by George Steiner\u003cbr data-mce-fragment=\"1\"\u003eTranslated by John Osborne\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\"He drew, from the obscure disdained German baroque, elements of the modern sensibility: the taste for allegory, surrealist shock effects, discontinuous utterance, a sense of historical catastrophe.\"\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003eSusan Sontag\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\"If the killing of Lorca was Fascism’s first great crime against literature, Benjamin’s death was undoubtedly the second.\"\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003cem\u003eThe Listener\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\"Walter Benjamin is the most important German aesthetician and literary critic of this century.\"\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003eGeorge Steiner\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Origin of German Tragic Drama\u003c\/em\u003e is Walter Benjamin's most sustained and original work. It begins with a general theoretical introduction on the nature of the baroque art of the sixteenth and seventeenth centuries, concentrating on the peculiar stage-form of royal martyr dramas called Trauerspiel. Benjamin also comments on the engravings of Durer and the theatre of Calderon and Shakespeare. Baroque tragedy, he argues, was distinguished from classical tragedy by its shift from myth into history. 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