{"title":"Photography","description":"","products":[{"product_id":"josef-sudek-portraits","title":"Josef Sudek: Portraits","description":"\u003cp\u003e\u003cspan\u003eBy Jan Rezác \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough the Czech photographer Josef Sudek was mildly reclusive by temperament, and although his photography is commonly characterized as unpeopled (in favor of what he termed \"the inanimate life of objects\"), a sizable portion of his oeuvre is given over to portraits. In fact, the beginnings of Sudek's work are in portraiture, in his images of fellow patients at the veteran's hospital where he spent three years after the First World War. (It was here that Sudek's right arm was amputated after a battlefield injury, a misfortune which did not prevent him from using heavy, large-format cameras in the future.) Decades later, after he had cofounded the Czech Photographic Society in 1924 and established his signature neo-Romantic preoccupation with architectural Prague, he returned to the genre. \u003cbr\u003e\u003cbr\u003eThroughout the 1940s and 50s, Sudek photographed close friends, among them the poet and Nobel Laureate Jaroslav Seifert, many painters and writers, but also scientists, doctors, politicians, architects, actors and other important public figures in Czechoslovakia. Portraits, the second volume of Sudek's collected photographs, gathers this body of work. In addition to a chronology of Sudek's life, it includes a complete bibliography and list of his exhibitions, as well as an interview with Jan Rezác, Sudek's colleague and an expert on his work.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e96 pages \u003cbr\u003e Torst, 2008\u003cbr\u003e\u003cspan\u003e9 x 0.6 x 11.3 inches\u003c\/span\u003e\u003cbr\u003e ISBN 9788072153190\u003cbr\u003eArtist Monograph, Photography, Portraits \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default","offer_id":263503956,"sku":"9788072153190","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Josef-Sudek-Portraits_Jan-Rezac.jpg?v=1591906987"},{"product_id":"heinrich-kuehn-and-his-american-circle-alfred-stieglitz-and-edward-steichen","title":"Heinrich Kühn and his American Circle: Alfred Stieglitz and Edward Steichen","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eOriginal Price: $49.95\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003eUP TO 20% ADDITIONAL SAVINGS FOR MEMBERS\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eEdited by Monika Faber\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis unique volume focuses on the luminous work of an important Austrian photographer. \u003c\/span\u003eHeinrich Kühn’s early Pictorialist works were highly influential, and were exhibited at the Vienna Secession. 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Today, things are very different: photographers like Josef Sudek, Frantisek Drtikol, Jaromír Funke, Josef Koudelka, Jan Saudek and Antonín Kratochvíl enjoy international acclaim, and as Czechoslovakia emerged from over half-century of totalitarian rule, the rest of the world was astounded to discover that such a small nation could boast so many talented and original photographers. Nonetheless, entire chapters of the history of Czech photography remain largely neglected. Czech Photography of the 20th Century is the first volume to survey the main trends, figures and masterpieces of Czech photography from the beginning to the end of the last century. Its 517 plates include not only the most historically important photographs and photo-montages, but also works that have lain buried in archives and rare books, or photographs published for the first time.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e396 pages | 251 color, 36 b\/w, 266 tritone images\u003cbr\u003eKant, 2011\u003cbr\u003e10 x 1.5 x 11.2 inches\u003cbr\u003eISBN 9788074370274\u003cbr\u003ePhotography, History, Czech Artists  \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":325654733,"sku":"9788074370274","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Czech-Photography-of-the-20th-Century_Vladmir-Birgus_Jan-Mlcoch.jpg?v=1591898105"},{"product_id":"zden-tmej-totaleisatz","title":"Zdenek Tmej: Totaleisatz","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eOriginal Price: $15.95\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eUP TO 20% ADDITIONAL SAVINGS FOR MEMBERS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBy Anna Farova\u003cbr\u003e\u003cbr\u003ePublished together for the first time are the photographs taken by the Czech photographer Zden Tmej during the years 1942-1944 in Breslau, Prussia, where he and others were taken to perform forced labor for the Nazis. Easily the most important and extensive visual documentation of the forced labor camps, these photos have both artistic and historical value.\u003cbr\u003e\u003cbr\u003ePaperback\u003cbr\u003e160 pages | \u003cspan\u003e87 duotones\u003c\/span\u003e\u003cbr\u003eTorst Publishing, 2001\u003cbr\u003e\u003cspan\u003e6.3  x 7 inches\u003c\/span\u003e\u003cbr\u003eISBN 9788072151370\u003cbr\u003eArtist Monograph, Photography\u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":325753603,"sku":"9788072151370","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Zdenek-Tmej-Totaleisatz_Anna-Farova.jpg?v=1591975245"},{"product_id":"generation-dada-the-berlin-avant-garde-and-the-first-world-war","title":"Generation Dada: The Berlin Avant-Garde and the First World War","description":"\u003cp\u003eBy Michael White\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"With \u003cem\u003eGeneration Dada,\u003c\/em\u003e White has presented readers with a powerful new portrait of an avant-garde that flourished in one of the most fraught cities of the early twentieth century.\" —Catherine Craft, \u003cem\u003eBurlington Magazine\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e“In a well researched, detailed examination of the Berlin avant-garde in the context of WWI, White . . . offers a fresh analysis of the key events and personal relationships that helped form the artistic practices of some of the central figures of the German Dada movement. In an informative but refreshingly accessible style, the author manages to pay close attention to the intricacies of cultural and historical context as well as the formal elements of the works themselves . . . demonstrating a keen eye for the relationship between content and form.” —\u003cem\u003eChoice\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFor the Berlin Dadaists, their identity as a collective—Club Dada, to members—was an integral part of their artistic practice. But the circumstances that brought together the likes of George Grosz, John Heartfield, Raoul Hausmann, and Johannes Baader—renamed Propaganda Marshall, Monteurdada, Dadasoph, and Oberdada within the organization—have remained largely unexamined until now. Drawing on extensive archival research, this book documents the group'ss beginnings in wartime Berlin and reveals how these relationships influenced its provocative acts, which were inextricably tied to the era's chaos and brutality.\u003c\/p\u003e\n\u003cp\u003eStudying how the Dadaists saw themselves as a new generation—in contrast to their pacifist forebears, the Expressionists—the book sheds light on key developments and events, such as the First International Dada Fair, held in Berlin in 1920. It also offers the first serious consideration of the group's role in constructing its own legacy, even as the works were deliberately rooted in the ephemeral.\u003cbr\u003e\u003cbr\u003eMichael White is reader in the history of art at the University of York and is best known internationally for his research on the early-20th-century De Stijl group in the Netherlands. \u003cbr\u003e\u003cbr\u003eHardcover\u003cbr\u003e382 pages | 20 color and 130 black-and-white illustrations\u003cbr\u003eYale University Press, 2013\u003cbr\u003e\u003cspan\u003e7.8 x 1.2 x 10 inches\u003c\/span\u003e\u003cbr\u003eISBN 9780300169034\u003cbr\u003eArt History, Dada, German History \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":861787897,"sku":"9780300169034","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Generation-Dada-The-Berlin-Avant-Garde-and-the-First-World-War_Michael-White.jpg?v=1591381064"},{"product_id":"the-german-work","title":"The German Work","description":"\u003cdiv class=\"col-xs-10 col-xs-push-1 col-sm-8 col-sm-push-2 col-md-6 col-md-push-3 line-height-24\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eEditied by Phillip Prodger\u003c\/p\u003e\n\u003cp\u003eBetween 1925 and 1938, photographer E.O. \u003cspan\u003eHoppé\u003c\/span\u003e traveled the length and breadth of Germany, recording people and places at one of the most tumultuous times in the country’s history. He photographed movie stars and captains of industry, workers and peasants, and captured the birth of the Autobahn and UFA film studios in its heyday. He saw the rise of fascism, the creation of vast new suburbs, and the displacement of people from their traditional ways of life. With unprecedented access to the country’s world-famous factories and industrial installations, he witnessed Germany as few others could—barreling headlong into the unknown.\u003c\/p\u003e\n\u003cp\u003eMoving, insightful, and deeply revealing, the full significance of Hoppé’s German work has been unknown until now. This volume combines photographs published in Hoppé’s legendary book of 1930, \u003cem\u003eDeutsche Arbeit\u003c\/em\u003e, with many new pictures never previously seen. From factory floor to the commuters of Berlin and Munich, Hoppé’s photographs reveal the profound social and economic tensions that preceded the Second World War.\u003c\/p\u003e\n\u003cp\u003eThis publication uncovers Hoppé as a pivotal figure in the history of twentieth-century photography, who introduced for the first time elements of typology, seriality and sequence, which have become key elements of contemporary photographic practice. Hoppé used his experience in Germany to develop a modern new style of photography—showing not just how things looked, but how it felt to be there.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e240 pages\u003cbr\u003eSteidl, 2015\u003cbr\u003e\u003cspan\u003e11 x 1.2 x 12 inches\u003c\/span\u003e\u003cbr\u003eISBN 9783869309378\u003cbr\u003ePhotography, German History, Documentary \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":3598472133,"sku":"9783869309378","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/The-German-Work-Photographs-of-E.O.-Hoppe-between-1925-and-1938_Phillip-Prodger.jpg?v=1591379365"},{"product_id":"miniature-metropolis-literature-in-an-age-of-photography-and-film","title":"Miniature Metropolis; Literature in an Age of Photography and Film","description":"\u003cp\u003eBy Andreas Huyssen\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“This book will serve as an invaluable guide to the wide variety of miniature writings that emerged in the modern age. Huyssen’s close readings of these literary gems highlight the ways in which they responded to new modes of sensory experience. A brilliant study of literature in the era of visual media.”—Anthony Kaes, University of California, Berkeley\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e“\u003cem\u003eMiniature Metropolis\u003c\/em\u003e provides a methodology for others who wish to consider the seemingly incidental writings of Modernists that have so often been eclipsed by less modest parts of their oeuvres. With original arguments and meticulous analyses, this fine study deepens our knowledge of familiar authors, and through the light it casts on its subject, it also brings into focus the current challenges to the literary mode posed by digital media and new related social practices.”—Elaine Morley, \u003cem\u003eThe Times Literary Supplement\u003c\/em\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003e“This is a unique, deeply thought, and important work that brings new insights into the literary forms of modernism, and their relations to other media.”—Anthony Vidler, The Irwin S. Chanin School of Architecture at The Cooper Union\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn the late nineteenth and early twentieth centuries, Europe’s modernizing metropolises offered a sensory experience unlike anything that had come before. Cities became laboratories bubbling with aesthetic experimentation in old and new media, and from this milieu emerged metropolitan miniatures—short prose pieces about the experiences of urban life written for European newspapers. Miniature Metropolis explores the history and theory of this significant but misrecognized achievement of literary modernism.\u003cbr\u003e\u003cbr\u003eAndreas Huyssen shows how writers from Baudelaire and Kafka to Benjamin, Musil, and Adorno created the miniature to record their reflections of Paris, Brussels, Prague, Vienna, Berlin, and Los Angeles. Contesting photography and film as competing media, the metropolitan miniature sought to capture the visceral feeling of acceleration and compression that defined urban existence. But the form did not merely imitate visual media—it absorbed them, condensing objective and subjective perceptions into the very structure of language and text and asserting the aesthetic specificity of literary language without resort to visual illustration. Huyssen argues that the miniature subverted the expectations of transparency, easy understanding, and entertainment that mass circulation newspapers depended upon. His fine-grained readings open broad vistas into German critical theory and the history of visual arts, revealing the metropolitan miniature to be one of the few genuinely innovative modes of spatialized writing created by modernism.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e368 pages\u003cbr\u003eHarvard University Press, 2015\u003cbr\u003e\u003cspan\u003e6.2 x 1.5 x 9.8 inches\u003c\/span\u003e\u003cbr\u003eISBN 9780674416727\u003cbr\u003ePhotography, History, Urban Studies \u003cbr\u003e\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":9273007301,"sku":"9780674416727","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Miniature-Metropolis-Literature-in-an-Age-of-Photography-and-Film_Andreas-Huyssen.jpg?v=1591218101"},{"product_id":"alfred-ehrhardt-das-watt","title":"Alfred Ehrhardt: Das Watt","description":"\u003cp\u003e\u003cspan\u003eBy Alfred Ehrhardt \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"...an island of tranquil beauty in a cultural sea that was becoming increasingly barbaric.\" —Martin Parr, \u003cem\u003eThe Photobook\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eThe reprint of the book \u003cem\u003eDas Watt (The Tidelands)\u003c\/em\u003e from 1937, as an exclusive facsimile edition by Éditions Xavier Barral...is an ode to nature and a masterpiece of book art.\" —\u003cem\u003eBINT, Photobooks\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlfred Ehrhardt (1901–1984) taught at the Bauhaus between 1928 and 1933 alongside scenographer Oskar Schlemmer and painters Josef Albers and Wassily Kandinsky. Accused of Bolshevism in 1933 by the Nazis, Erhardt was forced to leave the Bauhaus. At that time he was working in painting, drawing and printmaking, but his exile precipitated a turn toward photography and film, of which the fundamentals he taught himself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e In 1934, after leaving Germany, Ehrhardt produced his first photographic reportage—a series of spare, enigmatic images taken on the windswept sand dunes of the Curonian Spit along the Lithuanian-Russian border. This gorgeously produced book presents his works from that time. Strongly influenced by his years of modernist training at the Bauhaus, Ehrhardt’s photographs focus on the clear geometric patterns abundant in this seaside wilderness. 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As new construction materials and technologies met such far-flung stimuli as the Far East, Nirvana, and the unleashed unconscious of Freudian psychoanalysis, buildings by the likes of Gaudí, Horta, Hoffmann, Loos, and Mackintosh instilled structure with the sinuous lines of nature, surfaces with a fairy tale shimmer, and spaces with an ethereal wash of light or shadowy, mysterious hush.\u003cbr\u003e\u003cbr\u003eIn this dramatic portfolio, architectural photographer Keiichi Tahara travels across Europe to present the finest examples of this Art Nouveau architecture. From the glamorous facade of the Grand Hotel Europa to the elaborate sweep of a staircase or the perfect poise of a single chandelier, Tahara captures the intricate details as much as the holistic spatial effects of these ambitious, marvelous structures. With an eye attuned to the style’s organic detailing, he surveys its floral patterns, vine-like balustrades, and the soft, hollow interiors that seem to summon us into some primordial place.\u003cbr\u003e\u003cbr\u003eDrenched in sunshine or draped in dramatic shadows, Tahara’s pictures excel in evoking not only the unrivalled aura of these buildings but also the particular, fin-de-siècle spirit of their age, caught on the axel of a century, and characterized by reflection and yearning, as much as technological, philosophical, and political advance. 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Lauder, foreword by Renée Price, and contributions by Katrin Bomhoff, Christian Brandstätter, Jean-Marc Dreyfus, Monika Faber, Esther Ruelfs, Lisa Silverman, and Magdalena Vuković   \u003c\/p\u003e\n\u003cp\u003eBorn Dora Kallmus (1881-1963), the Austrian fashion and portrait photographer took the pseudonym Madame d'Ora. She was the most acclaimed portraitist of the fin-de-siècle Vienna, and went on to create one of the most stylish Art Deco studios in Paris in the 1920s. Her models included Josephine Baker, Coco Chanel, Colette, and Pablo Picasso, among many others. \u003c\/p\u003e\n\u003cp\u003eThe catalogue covers the primary periods of her life and career, from her early upbringing as the daughter of Jewish intellectuals in Vienna, to her days as a premier celebrity and society photographer first in Vienna and later in Paris. It also discusses her survival during the Holocaust and her work photographing refugees in the aftermath of World War II, including a remarkable and searing group of photographs documenting Parisian abattoirs. \u003c\/p\u003e\n\u003cp\u003eThis publication accompanies the largest exhibition devoted to Madame d'Ora ever presented in the United States, on view at the Neue Galerie New York from February 20 to June 8, 2020.\u003c\/p\u003e\n\u003cp\u003eHardcover \u003cbr\u003e220 pages\u003cbr\u003e80 color illustrations, 100 b\/w illustrations\u003cbr\u003ePrestel, 2020\u003cbr\u003e9.2 x 11.2 inches\u003cbr\u003eISBN 9783791359700\u003cbr\u003eNeue Galerie Exhibition Catalogue, Photography, Portraiture, Women Artists\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Neue Galerie Design Shop \u0026 Book Store","offers":[{"title":"Default Title","offer_id":31705014763592,"sku":"9783791359700","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/Madame-d_Ora-Exhibition-Catalogue_Monika-Faber.png?v=1591910158"},{"product_id":"josef-sudek-prague-1967","title":"Josef Sudek, Prague 1967","description":"\u003cp\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003eContributions by Timm Rautert\u003cbr\u003ePhotographs by Josef Sudek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTimm Rautert (born 1941) met Josef Sudek for the first time on a study trip to Prague in the spring of 1967. The photography student and the 71-year-old Sudek―who was arguably the most important Czech landscape and still-life photographer of the 20th century and a cult figure in his native country―instantly took to each other, and Rautert began photographing the artist in his studio and at his home. He accompanied him on his strolls in parks in Little Prague on the left bank of the Vltava river as he searched for adequate perspectives, and documented his work process inside and outside the darkroom. 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Und zwischen den Zeilen des von namhaften Fotograf*innen bebilderten Bandes findet man schließlich eine Stadt, die sich um den Preis der Austauschbarkeit mehr und mehr selbst verliert. Damit das nicht passiert, beschenkt uns die Couturière mit erfrischendem „Wiener Chic“. Couture-Kollektionen von Trachtenpunk bis Teatro alla Scala Mit Textbeiträgen von Helmut Lang, Suzy Menkes, Barbara Vinken, Angela Stief, Elisabeth Längle, Andrea Bonicelli, Hubert Achleitner u. a. m. Fotografiert von Wolfgang Zac, Atelier Olschinsky, Bernd Preiml, Wolfgang Pohn, Jenni Koller, Bianca Hochenauer und Günter Derleth.\u003cbr\u003e\u003cbr\u003eVienna, a city in a globalised environment, is the backdrop for the first thirty years of \"development aid for clothing\" by a Viennese fashion designer, starting in 1990. In contrast to a sleek internationalized aesthetic, Susanne Bisovsky formulates radical yet playful and ultimately self-determined approaches to clothing, fashion and attire.\u003cbr\u003e\u003cbr\u003eHardcover\u003cbr\u003e304 pages\u003cbr\u003eVerlag Anton Pustet, 2022\u003cbr\u003eText in German and English\u003cbr\u003e9.88 x 1.46 x 13.31 inches\u003cbr\u003eISBN 9783702510398     \u003cbr\u003e\u003c\/span\u003eViennese Fashion, Fashion Photography","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":42311579140264,"sku":"9783702510398","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/products\/9783702510398.jpg?v=1653154925"},{"product_id":"karl-blossfeldt-variations","title":"Karl Blossfeldt: Variations","description":"\u003cp class=\"catanno\"\u003eText by Ulrike Meyer Stump.\u003c\/p\u003e\n\u003cp class=\"redstrong\" data-mce-fragment=\"1\"\u003eHow Karl Blossfeldt’s plant photographs were disseminated in the popular media of the time, from pattern books to magazine spreads\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1890s, the Berlin artist, sculptor and teacher Karl Blossfeldt (1865-1932) started to photograph plants, seeds and other illustrative material from nature for the purpose of teaching his students about the patterns and designs found in natural forms. His close-ups of the smallest plant parts, magnified up to 30 times their natural size, startle us as they dramatically highlight the geometrical and sculptural properties of plants. Published in 1928, his first collection of photographs,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eUrformen der Kunst\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(later translated into English as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eArt Forms in Nature\u003c\/i\u003e) became an international bestseller and remains one of the most significant photobooks of the 20th century.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eKarl Blossfeldt: Variations\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the first monograph to examine the reception of Blossfeldt’s work. Drawing on unpublished materials, it analyzes the photographs’ replication in teaching materials, pattern books, art books and in the pages of the illustrated press. The six sections of the book trace the paths that Blossfeldt’s legendary plant motifs took in their incarnations as specimens, illustrations, patterns, analogues, models and abstractions from 1890 to 1945. Thematic contemporary appraisals illustrating the rediscovery of Blossfeldt's motifs in design and architecture over the past 20 years complement this new perspective on the beloved German photographer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover\u003cbr\u003e512 pages | 100 color, 100 black-and-white illustrations\u003cbr\u003e6.5 x 9.5 inches\u003cbr\u003eLars Müller Publishers, 2021\u003cbr\u003eISBN 9783037786369\u003cbr\u003eMonograph, Photography\u003c\/p\u003e","brand":"vendor-unknown","offers":[{"title":"Default Title","offer_id":43548988539048,"sku":"9783037786369","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0175\/8594\/files\/karl-blossfeldt-variations-85.jpg?v=1683140076"},{"product_id":"gestalterinnen-frauen-design-und-gesellschaft-im-wien-der-zwischenkriegszeit","title":"Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit","description":"Edited by Alana Shapira and Anne-Katrin Rossberg \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eGestalterinnen played a decisive role in the development of modernism in Vienna. 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